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May 2009
Hot As Rice
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Hot As Rice
PJ Harvey and John Parish-A Woman a Man Walked By (Island)
PJ Harvey's previous album with John Parish is 1998's Dance Hall At Louse
Point, but the 12-year wait is worth it. Harvey's brutal doctrine - that
nothing should sound like anything either of them has done before - has
produced a thrilling, boundless work. The songs are riots of changing themes
and multiple musical personalities. "Black Hearted Love," in which
Parish's granite riff fuels one of Harvey's best rockers, finds two lovers
frolicking in the abyss, while "Pointless, Passionless" chillingly
catalogues a stone-cold relationship. "April", with its snail's pace,
is plaintive and purifying.
Harvey's vocals range from animalistic shrieks to haunted narratives, as she
depicts everything from the gleeful humiliation of a cuckold ("lily-livered
balls") to the days that follow a death. It all hangs together brilliantly,
suggesting the mutual understanding of two artists at the peak of their
powers. (Island,
www.islandrecords.com) Dave Simpson
The Decemberists-The Hazards of Love (Capitol)
This is a full-fledged rock opera as unabashedly committed to the form as
its more famous predecessors such as David Bowie's The Rise and Fall of
Ziggy Stardust and the Spiders from Mars. The music is as strong as
anything the band have done, although the album is distinctly
different from their others - sparser in timbre and in instrumentation, but
more varied in style. Listening to The Hazards of Love is thrilling, both
because of the music itself, and because the disc was such a sheer gamble
from the first. Improbable as it seems, they just might pull it off. But then again, if anyone could, wouldn't you expect it to be Colin Meloy
and The Decemberists? (Capitol) Kyle Deas
Royksopp-Junior (Astralwerks)
Royksopp introduce their third album with a chuckle before ratcheting
forward into its first single "Happy Up Here". The Norwegian duo seems
determined to be optimistic and extroverted throughout, and the album may
just end up being their best yet. "This Must Be It" is one of two tracks to
feature The Knife/Fever Ray's Karin Dreijer, and it's deep and enveloping.
Dreijer's other track "Tricky Tricky" is coke paranoia turned into buzzing
electro-house, all adolescent jokes, running up walls and uninterpretable
words. While we're on vocalists, the record showcases a hefty list of
Scandinavian indie princesses, in addition to Dreijer, Lykke Li, Robyn and
Anneli Drecker (Astralwerks,
www.astralwerks.com) Dan Raper
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